Lilo and Stitch

Lilo and Stitch is a genuine story from an industry threatened with cliches, overdone tropes, and a lack of public interest in archaic values. It is an unconventional story from Disney, who usually produce romance and fantasy stories. It is a story that goes into dark places. It directly addresses the loss of loved ones, another unusual feature for a Disney Animation Studios production. It is two stories of trouble intertwining, a mutualistic relationship wherein both sides help each other to grow and develop; people helping each other out, despite their initial plans. It is beautiful. The humor and the animation are also unconventional, the humor being partially derived from both Lilo and Stitch’s charming eccentricities and use of watercolor backgrounds, another unusual decision that ends up benefiting the movie. It gives it a unique style. This is not to say that being unusual or different is an accomplishment in itself, but it’s important to note when people are both bold enough to go against the norm and also succeed. The designs are subconsciously appealing, being that they mostly feature circles. Stitch has become an insanely popular character, and for good reason; both the design and the character carry an adorable charm.

The main drawback of the film is that the climax is forced to bring a positive conclusion. When there’s a dilemma, Gantu arrives, ensuring that the opposing characters (Stitch, Nani) will team up to help her, fixing their problems along the way. It is a convenient way to escape the situation the characters find themselves in. However, this is just a small nitpick of mine personally regarding plot progression. The movie has grown into a franchise with spin-off shows and movies, but none of them come close to the spirit and integrity of the first movie, though still enjoyable for people like me who love the characters.